It's finally October and in celebration of the third anniversary of IWSG we're putting together a free ebook titled, IWSG: A Guide to Publishing and Beyond. Today on our usual first Wednesday posting of the month, the group is sharing the post we've submitted to the book. You should know by now that the entire IWSG universe is the brainchild of Alex J. Cavanaugh. You can find the entire list of participants here and if you haven't joined by now, what are you waiting for?
Are
You Ready to Submit?
The time has come for you to send your creation out
into the world of publishing. Before you submit a query or pitch to an editor
or agent at a conference you need to be prepared with your sales pitch. In the
world of publishing, there are four general pitches you should prepare ahead of
time.
The
Logline.
This one sentence pitch should include five key
factors. The who, the what, the when/where, the how and the why. Use this
example sentence and fill it in with your unique information and then work with
it to make it more sensible and interesting.
In
a (setting/when/where) a (protagonist/who) has a (difficulty caused by an
antagonist/the what) and (faces the conflict/how) as the tries to (achieve the
goal/why.)
In a face to face meeting, this simple line could
lead to a lengthier interview or request for a longer description.
The
Elevator Pitch
This is the nickname for a five to six line pitch
such as you might use at a conference if you luck out and run into an editor in
the elevator or at the bar. The easiest way to do this is expand on your
logline. A sentence with the setting, one about the protagonist, another about
the difficulty or challenge, the fourth about facing the conflict and the last
should be why facing it is important or the protagonist’s goal.
The elevator pitch also comes in handy as a guide to
the short paragraph usually requested in a query letter to briefly describe
your story. Make each sentence count.
Short
Synopsis
Often times an agent or publisher will ask for a one
page summary of your novel. Include the five elements mentioned above for the
shorter pitches and give each a bit more attention. This is a chance to add all
those unique elements of your setting, your characters and the difficulties
facing them. Even though a page might seem very long compared to the elevator
pitch, make each sentence count. You’ll also be judged on your writing. Are you
using active verbs and avoiding those adverbs? Include anything that makes your
characters different and compelling. Don’t forget to include the ending or
conclusion of the story. Editors expect to find out how the conflict is resolved
when reading a synopsis.
Longer
Synopsis or Outline
Sometimes an editor will put a page count on this
request. It might be five to six pages or even as long as twelve. Or they might
not specify on the length. The easiest way to do it is make each chapter a
short paragraph. If the paragraph for a certain chapter seems frivolous or
uninteresting that may give you a clue that you should cut some scenes from
your book. Even in a long synopsis you don’t have to include everything or
mention every secondary character. Again remember your writing style and voice
are being judged at the same time as the content of your story is. Don’t make
your outline a dry dissertation of facts. Remember when you were in school and
had to give those dreaded book reports. Report with all the enthusiasm of
sharing the most favorite book you’ve ever read.
Be prepared with all four types of pitches before
trying to sell your book. Chances are you’re going to need them sooner or
later. The logline and the elevator pitch will come in handy at book signings
when readers stop by and ask what your book is about. Once you’re prepared your
pitches, impose on your critique partners to evaluate them and make it as
perfect as you can.
Are you experienced writing pitches? Do you find them difficult? Have you submitted your article to the book?
43 comments:
And what nobody tells you is that if you go the self pub route, you need all of those too for promotional purposes. Often small pubs will use your summary as well. Great definitions!
This is excellent! I've found the logline is the easiest, the synopsis, not so much...
Just spent months writing the query and synopsis for my latest. Condensing things down to one paragraph, or even one page, is so hard. But it's nice when you finally feel like you got all the right elements in there working together for maximum impact.
The elevator pitch is so important. And it has to be delivered with confidence and enthusiasm. Because if you aren't excited, no one else will be, either.
I love creating loglines. The synopsis thought (short and long) I despise! But we have to know how to write them all. Great article!
Hi Susan! What great info! I can see that your excellent post and others today are going to add to my writing To Do list big time. I've never done a writing elevator pitch, but as a former union leader, I know the concept well! And yes, I've submitted my article (with trepidation because I'm such a beginner). But I made myself put me out there. I love the IWSG because I'm meeting encouraging, knowledgeable people like you!
Hi Susan - this is a great post for the Guide ... IWSG will be a huge boon to so many aspiring authors ...
Cheers Hilary
Great advice! I love the suggestion about the logline. I always have the most trouble with that.
This is very solid advice. I'm going to bookmark this for later use. Thank you for sharing it with us, muchly appreciated!!
Elsie
co-host IWSG
Some of them are harder than others I find, but thankfully I can just rant away, so something comes to me. haha great advice
Great advice as always, Sue!!
The elevator pitch. I definitely used this one in the past to get my agent. Great post!
Thanks for the pitch help. I've bookmarked this for later reference :)
Awesome post. One of the best I've read today.
I used to dread the querying process so much and after constant rejection letters I gave it up and I am relieved. Preparing all those pitches used to stress me out.
Thank you so much for your kind words and encouragement on my blog.
Great info. All of these bits are needed no matter how you publish. We all have to learn to master them.
Thanks for the great advice! As much as I dislike writing these things, I know how essential they are.
Great post. Thanks for putting it down so succinctly. As a writer who has gone the Indy Publishing route, for now, I think the log line (like your log line but before the blurb on the back of the book) and blurb (Elevator Pitch)are equally as important. No one will read your novel if they don't like your short description of it. So no matter which way you're going, you need to have these things under your belt!
This is such excellent advice, Susan. I'm very excited about the book. You guys rock.
I am bookmarking this post. Thanks!
Great advice! And you do need them all in some form no matter how you publish (or just talk about your book).
Good stuff here, Susan. I need to work on all four of these. I think if we can write more succinctly (for this sort of thing), it will improve our writing (over-all). Thanks for the guidelines!
That's a great run-down. Sadly, due to my complete lack of verbosity, my short and long synopsis are usually very similar :-)
Great stuff, Susan, as always!! It's so good to see a practical guide on submissions. I'll share this far and wide :)
Great tips and things all writers need. It will make a great addition to the book.
I've never tried to do this but I have found that I do have problems when it comes to summarize stories in a few sentences. Very good advice here!
Thank you for the concrete advice on the log line and elevator pitch--very helpful! :-)
Oh gosh, this is such a good post and totally necessary too. Wonderful addition to the ebook for sure!
I'm in the middle of submitting right now. I disliked writing the synopsis very much.
Some great points here. I hate writing them.
ooooh now this is a great list! You rock! :D
WOW, Susan! This is some VERY useful information for us here!
Thanks for sharing!
Superb info, Susan. I have a conference coming up next month. I won't be pitching agents (my agent will be happy to hear that), but I need to get a logline and elevator pitch together for that dreaded conversation starter: What's your book about?
Thank you for the reminder.
VR Barkowski
I had a literary agent phone call win to look over my query. it was so amazing and informative!
A lot of great info here! I used to hate writing the dreaded synopsis :/. Queries were pretty fun, though!
Ninja Girl
These are really great descriptions of what you need. I especially like the logline one. Thanks.
Hi Susan, this is such an amazing post. I am kinda of okay with the logline but I suck at the synopsis. The longer the synopsis I have to write, the more dry and boring it becomes. Thanks for this super informative post.Will keep all the tips in mind for my current WIP.
You're so right that you'll continue to use the logline, elevator pitch & summary well beyond just getting your book accepted for publication.
The dreaded elevator pitch gives me the cold shakes! Thanks for all the great tips!
This is useful information with a good presentation. Well done!
Lee
Tossing It Out
Good idea to run your pitches by your critique group. They're there to see you to success, not just read your work.
I have to do several of these every time I sign a contract and get a welcome package from a publisher. I'm getting better at these.
Very useful post. Thanks.
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